Our Prayers Have Been Answered

Our Prayers Have Been Answered

Kirk Sutherland's "Prayers For Rain" Is Finally Here

At long last — Kirk Sutherland's third wine of the 2020 vintage is now in stock.

Back in May we announced the launch of my colleague Kirk Sutherland's Oregon wine label, Erde. At the time we pre-sold his "Prayers For Rain" — a mix of Syrah with direct press Cabernet Sauvignon and Albariño — that was set to arrive last month. After a slight delay, we're happy to announce it's officially here.

If you already ordered "Prayers" then we'll be in touch shortly to coordinate delivery. If you haven't ordered it, there's still a chance to grab some. We sold out of Kirk's sparkling fruit wine, "Cloudbusting," but we still have some of the delcious "Iceblink Luck" Grenache rosé.

Read below for more details on the wines, and scroll down to read the interview between myself and Kirk for the whole backstory on Erde. If you've been following the news, you know that Oregon's burgeoning wine scene is being deeply affected by climate change with wild heat spikes and threats of more fires. Erde is in part a project that is meant to pivot with these changes while supporting the growers in the region through these continuing challenges. Kirk is currently in Oregon making decisions about the 2021 Erde wines, which will be an entirely new lineup of wines than the 2020s below. Different fruit sources, different grapes, and new obstacles to overcome. It's often said that the best winemakers make good wine even in bad years. If you're looking for proof that Kirk can make delicious wine in pretty tough vintages, then look no further than Prayers For Rain and Iceblink Luck.




Erde Wines "Prayers For Rain" 2020

Jonathan: Ripe, round, and perfect for chilling down. Dare I say it's like Susucaru Rosso combined with l'Anglore Tavel rose? With it's mix of smoky texture and lush fruit, I think that's an apt comparison. Black cherry, juicy strawberry puree, and toasted pine nut. This has some great texture and crunch that adds some layers and depth. Zero sulfur but not funky or sour, it's just an expressive, healthy wine — all the more impressive considering all the challenges of the 2020 harvest. A reminder of the transformative power of wine!
Kirk: 50% Whole-cluster Syrah, co-fermented with 25% direct press Cabernet Sauvignon and 25% Albariño. This wine was essentially the great pivot plan of 2020. A few weeks into harvest, I knew I wasn't going to be able to do what I initially planned to do with the Albariño I sourced from Redford-Wetle vineyard (which just got bought out, so I'm unfortunately not going to get this fruit again). Tom offered me some Syrah and Cabernet Sauvignon from a vineyard they source Gamay from in Yamkima, Washington, and the price was right, so I took it. I wanted to make a light red that had some depth to it, so I decided to direct press both the Cabernet and Albariño and pour it over the Syrah whole cluster. The juice got one pumpover a day during its 9 day maceration, then pressed and moved it to poly-cube to finish primary fermentation. The juice was then racked and transferred to 3 old barrels and a keg, where it rested for 6 months before being bottled with nothing added. I'm giving it a few months in bottle to integrate, but the crazy experiment seemed to work. Named after The Cure song.
Label art by Jasmine Senaveratna - 75 cases produced.

Erde Wines "Iceblink Luck" Rose 2020

Jonathan: Dark, soft and juicy, this drinks more like a light red than a rose. Raspberry, spice, with some smoky umami that adds some complexity. A compelling mix of elements here, all in an approachable, unpretentiously delicious wine.
Kirk: Organic Grenache grapes sourced from Herb Qudy's Eevee's Vineyard in Oregon's Applegate Valley, planted in 2011. The grapes were hand harvested on September 22nd. I destemmed all of the fruit, and basket pressed about half of the 1.5 tons straight away and poured the juice over the other half, letting it macerate for 3 days with 1 pump over each day to oxygenate the must. The grapes were then pressed and moved into a 700-liter stainless steel tank, where I added 45 gallons of Sauvignon Blanc skins and a few buckets of Pinot Noir stems to soak in the must through primary fermentation. I gently submerged the skins under the juice each day by hand to prevent them from drying out. Once the must was dry, I racked the juice and moved it to 2 neutral barrels and 1 stainless steel drum where it rested for 6 months. It was bottled in late March, unfined and unfiltered with a tiny addition of sulfur. Named after one of my favorite Cocteau Twins songs. Label art by Angela Simione. Just 72 cases produced.



Some of you may know Kirk for his many years at the helm of New York's top wine programs: Roberta's, Blanca, Marlow & Sons, and Diner to name a few. Some of you may know that he joined the staff of Vanderbilt Ave in April, much to our collective excitement. And, yet there's more: not only was Kirk flying coast-to-coast to run Roberta's in NY and LA, he was also taking time to go to Oregon and make his own wines. After working many harvests for Brianne Day and Division over the years, in 2019 he made a wine called "Wallace" (named after his beloved pitbull that passed that year) as an exclusive for Roberta's. A co-fermentation of Grenache and Albarino ala the Anders Frederick Steen approach, I liked it even more than the Steen wines themselves. In 2020, despite a pandemic and devastating fires, Kirk managed to make three bottlings under his new personal label Erde meaning 'earth' in German. Instead of me talking about how great they are, I'll just ask Kirk about the wines himself.

Jonathan Kemp: Kirk, tell me about the origins of Erde.

Kirk Sutherland: It kind of all happened by accident. I've had a long connection to Oregon — I went to college out there, lived there for most of twenties and have been working harvest for my friends at Day Wines and Division Winemaking Company for the last 5 years. I made a wine for Roberta's with Kate & Tom at Division in 2019, and we planned to do it again in 2020, but then the pandemic hit. The grapes were still available, so I decided to empty my savings and buy them myself. I made about 200 cases of wine and cider in 2020 and plan to almost quadruple production this year. I named the project Erde, the German word for Earth/ground, as a nod to my mother's German Jewish heritage.

JK: You made a cider fermented on grape skins and a dark rose for your first release, not the most typical choices. What that due to the fires or was that your intent all along?

KS:  A little of both. The Grenache was initially going to be fermented with Albariño like the "red" wine I made in 2019, but due to the fires, grapes came in at different times and I was unable to do what I originally planned. I wanted the wine to have a similar feel to the 2019 bottling of Wallace, so I went for a minimally extracted red, that wound up somewhere between red and rose. The cider came about by happy coincidence and helped me make an additional barrel of juice in a difficult year. Apples don't seem to absorb guaiacol, the chemical compound that creates smoke taint, the way that grapes do.

JK: What are some of the challenges of making wine in Portland, Oregon while living and working full-time in Brooklyn?

KS: Time has been my biggest challenge, which is part of the reason I decided to move on from restaurants. I've been lucky over these last few years to take somewhere between 2 weeks to a month off each vintage, which barely gives me enough time to get the grapes fermented and moved to barrel. It's been hard to get away for a few days here and there to check in with growers, top-off my barrels or blend when working an 80 hour-a-week restaurant gig. I'm very lucky to have the Division team looking after the wines when I'm not around.

JK: On paper, these two bottlings seem like they wouldn't necessarily relate to each other, but I feel like tasting them together I get a very vivid sense of your style. Can you describe what your ultimate goal is in terms of how they present themselves stylistically?

KS: I'm honestly still figuring out what my style really is, but I'm trying to make things that are unexpected and fun, that remain approachable without being too heady. There is definitely a good amount of experimentation that goes on in the winery, and I try to think about flavor combinations that make sense together. I like a good balance between fruit and earth, I'm not afraid of a little Brettanomyces, and I try to work reductively, i.e. keeping the wines from oxygen exposure. All the bottlings this year are named after some of my favorite songs, all of which have references to water, something we all wished for this last harvest.

JK: You're not using much, if any, sulfur, correct? I don't taste the typical flaws associated with that, which seems rare for someone on their second vintage. How did you pull that off?

KS: Iceblink Luck was the only wine that got sulfur this vintage, and less than 10 parts per million. I think sulfur can mute the liveliness of a wine, but it has a place when needed. I learned how to make wine from people (Division and Day) that make wine naturally, but are meticulous about working cleanly in the cellar. The wines all got racked a few times. I also was very lucky to work with fruit that had great chemistry this year.

JK: What do you want to accomplish with this project? Do you just want to make the most thirst-quenching things you can, or do you think there are issues of community and ecology that are can be addressed through making wine?

KS: I'm pretty active in social justice issues, I have been my entire life, growing up as a queer punk kid in Boston. It was the radical side of farming and winemaking, from people like Stefano Bellotti of Cascina Degli Ulivi, that first made me gravitate to natural wine when I was working under Lee Campbell at Reynard. Yes, I want to make fun wines, but I also want to make sure that I'm sourcing fruit from growers that are true stewards of their land, working as regeneratively as possible and treat their workers with respect. I'm proud to have worked with organic practicing vineyards and orchards in 2020, but I'm trying to take it a step further in 2021. I'm also very excited to feature BIPOC and LGBTQIA+ artists on my labels, and to continue donating a portion of my proceeds to GLITS here in Brooklyn. 

JK: Are there more things coming soon? What's in store for 2021?

KS:  I have lots planned for 2021, some things I can't really announce yet because I don't want to jinx myself. I'm planning to make the Grenache a bit differently this year, I'm putting out a couple of pet-nats, a much more serious red wine, and more apple/grape goodies. Division just moved into a new winery in industrial Southeast Portland, so we have so much more room to grow.

JK: It would be super-awkward to work together if your wines came in and I thought they weren't very good — so thanks for making truly delicious wines! I'm really impressed at how they manage to have such personality, character, and soul while not straying far from the sensation that you are drinking some beautiful, healthy, fruit. It's a combination that I think everyone will really gravitate towards, and I can't wait to see what's next.

Jonathan and Kirk



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